The 'Transition' project utilized technological tools to harness the ice's natural properties. The goal was not to control the ice block during its transition from solid to gas but to monitor these phases, integrate their properties into a process-based experiment, and generate a set of experimental drawings. Thus, ice's natural transitions created the drawings, while the system monitored, augmented, selected, and recorded the right moment.

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Within this context, this project represents a non-traditional attempt to construct a miniature nature environment, supported by artificial means, with the goal of seeking and creating experimental drawings. In a custom-made chamber, microscopic techniques were used to inject ink gel into tiny blocks of solid ice. This process allowed us to create some artistic sketches on the inner surface of ice blocks. With an innovative technique, it was possible to control the ink distribution rate inside the ice blocks and record the ink paths as artistic sketches using microscopic recording processes.  

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This project takes an environmentally conscious approach by moving beyond the simplistic view of water as just a medium for transition. It emphasizes the function of water as a holding medium, capable of carrying countless particles and distributing them across its three material states. In this context, ink—recognized as a pollutant—travels through water, a medium that facilitates the widespread transportation of these pollutants in all three states, from the earth to the atmosphere.

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In this context, the experimental drawing by the distributed ink particles recontextualizes the materiality of the pollutant to raise questions regarding the conflict between the duality of water's vital role in healthy life and its serious role in sickness and death.